4c-Risography Ed. 30 42×30 cm 2020
The work is one recent result of my artistic practice in the use of the useless, of leftovers, bycatch, findings.
Earlier this year, when all together everyone at home, I started to use the most powerless tool I could find on my computer: MS Paint—which still comes with Windows. This is a very simple pixel-based painting tool. I put up a tiny canvas in oktavo ratio and placed some of the program’s template icons—carefully choosing their position and colour, in just using the standard palette.
I liked the result, but did not stop there.
The weakness of pixels is the resolution. I wanted my picture to be defined and sharp, so I translated it into a vector graphic. The picture now is rendered in mathematic curves—no more fuzzy pixel-stairs, but it is infinitely scalable. Throughout this transfer the forms on the canvas became more fluid, the shapes formerly put one on top of the other were melting and connecting.
To bring this abstract thing into everyday life I chose to render it in Riso—a digital printing technique with high quality inks. So my processed picture found its place on warm sheets of paper as a screen print.
There are still some prints available. Get your #Paint here:
